‘Messy Little Cumshots’ I-I mean ‘Messy Little Raindrops’ – I absolutely thought it’s a brilliant album name but never would’ve thought in a million years that Cheryl’s going to name her album like this. It’s not bad for an album full mainly of personal maladies about a broken marriage, being sick with malaria and a budding romantic affair. She’s got 12 tracks to prove she won’t be called a ‘National Treasure’ as the Brits call it for nothing. Here’s a semi track by track commentary on CHEZZA’s new record.
The 43 minute record starts with the lead single, ‘Promise This’ in which she cleverly used the French word ‘Alouette’ to metaphorically describe basically ‘Derek’ for everything that has happened to her life in the past few months. It’s not bad entirely but it really sounded like a rushed piece of dance record that doesn’t present any premise of a lead single. Unlike ‘Fight for This Love’, ‘PT’ didn’t show a lot of ‘infectious parts’ except for the French phrase she utters throughout the track. In totally it really just fits in in the ‘okay’ level.
Moving on, is the 2nd track, ‘Yeah Yeah’ which features Travie McCoy on this 90’s disco sound infused with a hip-hop influence coming from McCoy’s unnecessary verses. There’s nothing much to adore in this except that it did sound different from the other tracks in the LP. Probably not your choice for single #3 but it’s a nice album filler but shouldn’t be placed ahead of the better songs.
‘The Flood’ is unarguably the best track on the record in which Cheryl shows every bit of vulnerability she has. I think she just sang it with sincerity and conviction that you wouldn’t notice that this track might have been done before melodically. ‘But you can’t hold on to water that fills you up but never stays.’ – Cheryl sings with purity as she grasps for love. I’m not sure why she’s doing this because I think we can all show some love for her anytime eh? Unless you’re a hater – it’s quite understandable.
I think most of us are expecting that ‘Amnesia’ is a cover of a Britney track when the tracklisting came out for ‘MLR’. I actually won’t mind if that happen because the original was a bore and I thought Cheryl might have done something more with it. Vocally, there’s something I’m concerned about. She’s actually singing these tracks with minimal productions that it exposes her flaws as a singer. Her inability to reach the high notes in these songs makes her sound too trying hard for it. Especially ‘Raindrops’, in which she sounded like her vocal chords are gonna tear-up anytime soon.
Moving on, I commend Cheryl for putting off the misery from our backs towards the latter half of the LP. ‘Hummingbird’ – the LP’s 8th track started the happy, a little bit joyful moments of the mostly bleak record. But to be honest, the latter parts of the song are quite painful to hear. She’s using enough of her narrow vocal range that it sounded like she’s shouting towards the end of the track. But I have to admit, this really put a smile on my gutted face while listening to the record.
Another collaboration, ‘Better To Lie’ – plays into the safe side as she’s starting to redeem herself from the mediocrity she has been lingering on from the first parts of the record. The collaboration isn’t what I have expected but these are the songs Cheryl should sing. It didn’t push her vocals too hard and it just fits everything. A hip, very radio-friendly R&B track is what she needed after all this.
‘Let’s Get Down’ is actually a fun track to deal with. Cheryl rapping with her Geordie accent – what more could you ask for? Plus you can totally imagine what she’d be wearing if this had a video. ‘Uhl me Leydeis, uhl my gerls, uhl my hunnies, uhl my betchis and meh leydeis’ – it’s a total breath of fresh air to be gleefully honest. I’m quite happy she’s doing tracks like this but I’m not sure but it can be looked as too contrived. But overall, I think it’s lovely to hear her have some fun despite all the drama in her life.
Cheryl keeps the swag on until the last track ‘Waiting’ – a surprisingly Vanessa Carlton sampled pop/dance track. I’m afraid to say this but I think these tracks are what Cheryl should be singing. Fun, upbeat tracks that won’t require her narrowed vocal range to be torn out into pieces. It’s jumpy, fresh and possible dance floor filler. It’s definitely one of the best ways to end an entirely depressing record. I really hope she sticks to this kind of music it fits her vocally.
In totality, ‘Messy Little Raindrops’ maybe filled with sobby, drama inflicted anthems about Cheryl being person, but this record isn’t entirely atrocious. It’s not unusual for pop singers to get personal in their second album or future albums especially if they’ve undergone such media attention because of their personal mishaps. With artists like Cheryl you don’t actually expect their albums to blow you away in terms of its musicality. It’s just that you have to give them the benefit of the doubt whether they’ll deliver or not. But in this case, she didn’t.
RELEASED: November 1, 2010
LABEL: Polydor Records
DOWNLOAD THIS: ‘The Flood’, ‘Waiting’, ‘Better To Lie’