Okay folks, this is THE BEAT REVIEW’s Top 30 of 2010 List. I can’t make the effort to select up to 100 because you all know how hard that is to carry out and I’m so preoccupied with a lot of stuff.
Since I sporadically posted monthly playlists throughout the year, might as well give you the last rundown of the 30 best songs that defined this year. 2010 has been an amazing year for most genres of music. We saw comebacks that flop so hard, amazing new artists that has shown tremendous potential and the comebacks that proved they are really worth of the music limelight.
My last treat for y’all is the ability to download all 30 songs towards the end of the three-part series. The first part will be published today (#30 – 21), the second part on the 29th (#20 – 11) and the third part on the 30th (#10-1). So be sure to check out the blog on the next 3 days to see who’s in or who’s out in our 2010 Year-End list.
The American rock quartet has proven their eccentricity to be something very useful to their advantage. ‘Giving Up The Gun’ – Contra‘s most pop sounding tune is a brilliant one. And it represented their album’s premise perfectly.
Mini Viva, one of British pop music’s biggest frustration this year may have split up but their last single as a duo, ‘One Touch’ proved to be their best. Every bit of pop music sweetness sums up this track and we’re still in mourning over the loss of one of the best pop duos that never came.
PLAN B – Prayin’
Plan B’s combination of hip-hop and soul never didn’t jive in together especially with the Mark Ronson’ sounding production – ‘Prayin’ is one heck of an anthem.
Popjustice Hi-Fi first ever release is absolutely a treat to the senses. A piece of melancholic classic Swedish pop tune – it cruises its way to your playlists in just a glance. Like a Waterfall, Rosanna should be flowing through the mainstream with ease with this kind of pop genius.
SKY FERREIRA – Obsession
Sky is the exact epitome of a natural-born popstar. She’s got the looks, the voice and everything unconventional you can imagine. Maybe if the tweens listened a lot more to this lass, the world might be a better place to live in.
DRAKE feat. ALICIA KEYS – Fireworks
Drake’s own style of producing hip hop music might be meh for others but the truth is, he has an amazing singing voice and a one heck of rapping skills. Combined with Miss Alicia’s soulful vocals, ‘Fireworks’ sets its pace uphill as it reaches the skies with its magnificence.
The 50’s dancehall influenced track is a nice introduction on how things work for Miss Eliza Doolittle. The British songstress cleverly instills classic decades music into her cotton candy flourished music pieces. It might not be an original concept but the fact that she pulls up a fight in the pop charts is a nice way to say that at most points, ‘it works’.
The only Asian group so far to top international charts has proven their abilities in their début effort, ‘Free Wired’. The catchiness of ‘Like A G6’ is clear way to say that hip-hop music isn’t for black and white people only. It absolutely knows no race at this point.
GORILLAZ – Stylo
Damon Albarn and his animated friends came back with a bang this year. One of Gorillaz’ catchiest tracks ever, the basslines are superb with Mos Def’s perfectly fitted verses towards the endings of the track – it surely does deserve a spot on our list.
We can’t deny that Ke$ha always comes up with infectiously addictive tunes that always put out a good fight in the pop charts but the truth is, I always associated the word ‘AUTOTUNE’ with the word, ‘KE$HA’. It just won’t turn out good if the two weren’t together.
CHECK BACK TOMORROW FOR PART TWO!